Yo, what a great way to start my day with this email:
Dear Jackson Bliss:
I very much admired your story, “The Great Fall,” in Fiction and thought that you might enjoy hearing from a fan of your work who is also an established literary agent. I don’t know if you are even at that point in your writing to start exploring representation, but this story made me feel that you have the talent to write a publishable book
If you’re at work on a novel, one of my colleagues in the agency or I would be pleased to read the opening chapters. We can tell, with a brief synopsis (1-2 pages), and around fifty pages, if we are engaged by the material. If so, we’ll encourage you to keep going. If not, we’ll explain why. These days, many editors never read further than the opening chapter or two of most novels before rejecting them. That’s how overloaded we all are with reading material. You must grab our attention, early on, either with plot or characters.
If you are assembling a short story collection, or undertaking a non-fiction book, visit our agency website (www.sobelweber.com) for our submission guidelines and suggestions. In the current market, publishers are unlikely to take on a short story collection unless the author can provide a novel to follow. If you do not have at least 50 pages of a novel ready, it’s worth waiting to put both book projects together, believe me. You may find our submission guidelines helpful whether we ultimately represent you or not. Or you may write us an email describing the book you are working on. We can then let you know, quickly, our response. Please indicate that I have read some of your work in that letter.
If you already have an agent, please excuse this approach, as our agency does not take on previously agented writers. If you are unagented and would like to discuss your writing before sending me anything, give us a call. The author/agent “chemistry” is vital in a long-term relationship. If you don’t have anything to send us at this time, hold onto this letter. My invitation to read more of your work is open-ended. Recently, we sold a first novel to Knopf by a writer I originally contacted ten years ago after reading his story in The Georgia Review.
Because we offer editorial work on all the projects we take on, at no additional fee to the writer, we do ask for one month exclusivity of your submission, but generally respond sooner. We do not send out form rejection letters on work submitted, but try to provide a fair evaluation of the work, including any editorial suggestions we may have.
Looking forward to reading more of your work.
Best wishes,
Nat Sobel
Sobel Weber Associates, Inc.
146 *** ********
New York, NY
212 ***-**** (phone)
212 ***-**** (fax)
www.sobelweber.com
A fan who is also a literary agent? How amazing is that shit? Now, the question is: Do I call him or do I send him an email or both?
Dear Jackson Bliss:
I very much admired your story, “The Great Fall,” in Fiction and thought that you might enjoy hearing from a fan of your work who is also an established literary agent. I don’t know if you are even at that point in your writing to start exploring representation, but this story made me feel that you have the talent to write a publishable book
If you’re at work on a novel, one of my colleagues in the agency or I would be pleased to read the opening chapters. We can tell, with a brief synopsis (1-2 pages), and around fifty pages, if we are engaged by the material. If so, we’ll encourage you to keep going. If not, we’ll explain why. These days, many editors never read further than the opening chapter or two of most novels before rejecting them. That’s how overloaded we all are with reading material. You must grab our attention, early on, either with plot or characters.
If you are assembling a short story collection, or undertaking a non-fiction book, visit our agency website (www.sobelweber.com) for our submission guidelines and suggestions. In the current market, publishers are unlikely to take on a short story collection unless the author can provide a novel to follow. If you do not have at least 50 pages of a novel ready, it’s worth waiting to put both book projects together, believe me. You may find our submission guidelines helpful whether we ultimately represent you or not. Or you may write us an email describing the book you are working on. We can then let you know, quickly, our response. Please indicate that I have read some of your work in that letter.
If you already have an agent, please excuse this approach, as our agency does not take on previously agented writers. If you are unagented and would like to discuss your writing before sending me anything, give us a call. The author/agent “chemistry” is vital in a long-term relationship. If you don’t have anything to send us at this time, hold onto this letter. My invitation to read more of your work is open-ended. Recently, we sold a first novel to Knopf by a writer I originally contacted ten years ago after reading his story in The Georgia Review.
Because we offer editorial work on all the projects we take on, at no additional fee to the writer, we do ask for one month exclusivity of your submission, but generally respond sooner. We do not send out form rejection letters on work submitted, but try to provide a fair evaluation of the work, including any editorial suggestions we may have.
Looking forward to reading more of your work.
Best wishes,
Nat Sobel
Sobel Weber Associates, Inc.
146 *** ********
New York, NY
212 ***-**** (phone)
212 ***-**** (fax)
www.sobelweber.com
A fan who is also a literary agent? How amazing is that shit? Now, the question is: Do I call him or do I send him an email or both?