Yo, it’s not very often I can say this, but today I became an Asian poet! At least, that’s what Amazon thinks about Counterfactual Love Stories & Other Experiments, which is included as a new release in Asian Poetry. But even more shocking, CLS&OE is ranked #2! At least for now (7 October 2021 at 11:41 PST). How the fuck did this happen? And why is this book labeled poetry? I mean, there’s some bomb lyricism in this book. There are some dope turns of phrases too. But it would never have occurred to me to label this book as poetry. But you know what, I don’t fucking care. I’m gonna roll with it. Anything that might help me find new readers and draw attention to my books I’m gonna support, so thank you, Amazon, for giving just a tiny bit of attention to this book of mine! I really appreciate it.
Today is Pub Day for Counterfactual Love Stories & Other Experiments
The Day has Come!
I’m a late bloomer when it comes to publishing. Most of my friends already have one or more books out in the world because they’re talented and hardworking, but the day has finally come for me. It’s PUB DAY for Counterfactual Love Stores & Other Experiments at long last! I’ve been dreaming about this day since I started writing fiction seriously in college, since my first workshop in my late 20s, since my MFA and my PhD programs, I’ve been waiting for my own day & it’s finally here. It almost doesn’t feel real, except that my body wouldn’t let me sleep more than six hours, even after I took Ashwaganda and melotonin. Guess I should I have smoked instead.
If you know me, you know that I’ve been working tirelessly on this manuscript for well over a decade. Closer to sixteen years, but who’s counting? So, to see this manuscript finally emerge into this world is really huge deal to me. I hope that you feel that way too.
So Now I'm a LA Writer
LB & I decided to move back to LA back in January of 2021 after she was offered an amazing job opportunity at CHLA, a decision that was difficult for me because of how much I’ve loved (working with) my BFA & MFA students & how much I valued my colleagues at BG, but also easy in other ways since we’ve lived in LA for over ten years, always coming back here over & over again. At some point, & I’m not quite sure where the timeline lands exactly, LA & not Chicago became our home even though we’re both from Chicago & even though we met each other in Chicago with a little help from MySpace. But that’s another story.
During the last pandemic wave in the winter of 2019/2020, I was completely stuck in Ann Arbor, constantly fighting depression, immobility, anxiety, fear, & hopelessness. Much of that was the pandemic, obviously, but much of that was also A2 too. After a while, LB & I ended up eating out at the same 3-4 restaurants, we did the exact same walk around the neighborhood 3-4 times a week, even my classes felt redundant, I found myself saying the same shit over & over again in response to workshopped manuscripts. I felt like I was stuck in a perpetual loop in Michigan & I wanted desperately to come back to LA, not only because this city was always the space before we tried to start a family, the space before the Covid-19 pandemic hit (because of when we left in June 2019), the place where I got my PhD before the job search, but also because this city shaped me. I became a doctor here. I became an agented writer here. I sold my first novel here. I revised my memoir here, which I sold in Michigan. I published a piece of flash nonfiction in the New York Times here. I got my half sleeve here. I got my first lectureship here. I visited my homeland from LA. I met my Japanese family while in LA. I fully developed my style here (half street style, half urban Asian preppy). LB became a supervisor here. We adopted Gogo! here. IOW, LA made me the person I am today & I kinda like that person. I relate to that person. I understand that person.
So coming back here felt like the most normal thing in the world & also the most surreal too since the time dilation I’d experienced back in the Midwest during the collapse of the world distorted my sense of how much time had passed & how slowly it was passing. Now, I’m a LA writer, I’m starting to schedule a remote tour with indie bookstores across the country, I’m working on ways to promote Counterfactual Love Stories, but I don’t fully know yet what that means. It’s something I can only understand after a couple years. Yes, I have three books coming out in the next 12 months, which I’m really grateful for (& have worked so hard for). But I don’t know yet where I’m headed, what the next step in my writing career is, whether I’ll end up writing screenplays, scoring a gig at Buzzfeed, working as an extra for Central Casting (because why the fuck not), doing freelance work as a copy editor, selling new post-rock & electronic music & tour merchandise from my Love, Amnesia, & Dream Tour, or something completely unrelated to writing & art.
TBH, I have no idea, but I have this (probably naive, definitely irrational) hope that everything is going to work out. It might be the beautiful weather that I just can’t take for granted after two winters locked in Michigan. It might be the superabundance of artists, writers, screenwriters, yoga fanatics, juice drinkers, Prius & Tesla drivers, actors, models, & influencers here. It might be the panoply of vegan restaurants, sushi joints, & cafés that serve perfect vanilla oat lattés here, but whatever it is, LA has become the place where I belong, where I thrive, where my partner can thrive, where it feels not only acceptable to not have kids or a typical nuclear family, but sometimes even necessary!
I’m happy we came back to LA. I’m happy to be here and see what my future holds for me now that I’ve centered LB for once & begun the next phase of my writing career as someone whose work is coming to a theater near you very soon.
The Love, Amnesia, & Dream Tour Poster (2021-2023) is Now Available!
Well, one of the things I longed for the most after I realized that I would have 3 books coming out in the span of nine months (which is every bit of a logistical nightmare as you can imagine, but also a beautiful problem to have if we’re being totally honest), was a poster for my book tour for the next two years. I wanted a tour or a “tour” or both in order to connect the three separate books (and genres) together. I also wanted a poster to graphically situate, connect, and unify my three books while also giving something to people like me who crave tangibility, especially tangible art and literary merchandise.
So, while this poster was conceptually created by me, it was completely designed, imagined, and realized by Aaron Draplin, who is an artistic genius. I’m so in love with this poster I’m about to frame it myself and hang it in my office. I might also consider raffling one or two free copies of this poster once Counterfactual Love Stories & Other Experiments is out in the world.
Cover Reveal for Counterfactual Love Stories & Other Experiments
Available Now for Pre-Order
Well, the day has finally come! My debut short story collection, COUNTERFACTUAL LOVE STORIES & OTHER EXPERIMENTS, officially has a cover at long last, which I absolutely love. Many thanks, much praise, and love to the badass skills of Alban Fischer, the illustrator for creating this gorgeous cover. Even more exciting, and hard for me to fathom here, you can now order my book in the Noemi Press catalog. So, please do me a huge favor and order your copy today. I’ll lit love you forever!
Short Story Published in Vol. 1 Brooklyn
My short story, “French Vowels that Make You Look Like Goldfish,” was published today at Vol.1 Brooklyn, which is part of my experimental short story collection, COUNTERFACTUAL LOVE STORIES & OTHER EXPERIMENTS,
Read MoreShort Story Published in COLUMBIA JOURNAL
My short story, “Semi-Permeable Membrane,” which is part of my upcoming short story collection, COUNTERFACTUAL LOVE STORIES & OTHER EXPERIMENTS, was published today by the Columbia Journal,
Read MoreCounterfactual Love Stories Reviewed in BG Independent Media
My first review! I know authors get this all the time, but for me, this is still a raw, strange, and exciting science.
Read MoreAmnesia of June Bugs Officially in the 7.13 Books Catalog Now
Well, it’s official. My novel, AMNESIA OF JUNE BUGS, is in the 7.13 Books 2022 catalog, an exciting & important rite of passage for every author publishing their work.
Read MoreTwo Short Stories Published in M.E.L.U.S.
Two of my short stories, “Secret Codes & Oppressive Histories” and “10 Zen Koans” were published recently in the Multi-Ethnic Literature of the United States journal.
Read MoreIn Disbelief but Stoked AF
So, I won the 2020 Noemi Press Book Prize in Prose and short story collection, COUNTERFACTUAL LOVE STORIES & OTHER EXPERIMENTS will be published in 2021!
Read MoreBG Ideas Podcast
My very first podcast, where I chat with my friend & colleague, Jolie Sheffer, about the role of mixed-race identity in fiction, the question of likeability in literature, and my two texts, AMNESIA OF JUNE BUGS & DUKKHA, MY LOVE for the BG Ideas Podcast at the Institute for Cultural Studies at Bowling Green
Read MoreShort Story Published in JUKED
My short story, “The Geography of Desire,” was published recently in issue #17 of Juked.
Read MoreAmnesia of June Bugs to be Published in 2022 by 7.13 Books
I’ve been holding on to this secret for a little while now after signing and returning the publisher’s contract because I wanted to wait until the moment felt right to me, but the day has finally come! I sold my very first novel, Amnesia of June Bugs to 7.13 Books
Read MoreCraft Essay on the Cult of Likeability Published in TriQuarterly
My craft essay, “The Cult of Likeability,” is now up at TriQuarterly
Read More1st Piece Accepted in 2018
So, I just finished talking to one of the projects assistants on the phone and I’m happy, shocked, and (completely fucking) stoked to announce that my flash nonfiction piece “Lennon Wall” will be published in the New York Times in a few weeks in the Modern Love column for their Tiny Love Stories project.
Read MoreEssay about Murakami's Men Without Women Published in Ploughshares
Men Without Women is a familiar, easily identifiable, and oddly comforting book for the Murakami reader, privileging the emotional landscape of lonely Japanese men through scaffolding characterization, personal idiosyncrasy, and monkey-wrench narratives instead of dramatic Hollywood plot lines, food porn, or cultural didacticism.
Read MoreEssay about Dishonored 2 (and Class Stockholm Syndrome in the Steampunk Genre) Published in PLOUGHSHARES
Few things push plot lines as well as vengeance in drama and leveling up in RPGs, which is why Dishonored 2, despite its many flaws, integrates plot, adventure, and history effortlessly into a unified field, centering its narrative on the propulsive quest of assassination and personal redemption. Much like Victorian morality in the nineteenth century, this game is a Manichean fantasy world of good and evil.
Read MoreMy Dual Interview with Karen Tei Yamashita and Celeste Ng Published in Ploughshares
The Western canon has no objective nomination process, which is why it is both axiomatic and controversial. Literature written by (and often for) white writers is still treated as classic, crucial, and central to our literary archive, codifying a clear but tacit anglonormativity. But why have APIA voices been erased from the so-called “Great Books” for so long, and how should APIA writers respond to this longstanding erasure?
Read MoreShort Story Published in Arts & Letters
After mom got remarried to a white architect, my twin brother and I moved to Wacker Drive to live in the future. For Yoshi and me, the honeycombed Marina Towers were a time warp to another dimension.
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