Yo, it’s not very often I can say this, but today I became an Asian poet! At least, that’s what Amazon thinks about Counterfactual Love Stories & Other Experiments, which is included as a new release in Asian Poetry. But even more shocking, CLS&OE is ranked #2! At least for now (7 October 2021 at 11:41 PST). How the fuck did this happen? And why is this book labeled poetry? I mean, there’s some bomb lyricism in this book. There are some dope turns of phrases too. But it would never have occurred to me to label this book as poetry. But you know what, I don’t fucking care. I’m gonna roll with it. Anything that might help me find new readers and draw attention to my books I’m gonna support, so thank you, Amazon, for giving just a tiny bit of attention to this book of mine! I really appreciate it.
My Dual Interview with Karen Tei Yamashita and Celeste Ng Published in Ploughshares
The Western canon has no objective nomination process, which is why it is both axiomatic and controversial. Literature written by (and often for) white writers is still treated as classic, crucial, and central to our literary archive, codifying a clear but tacit anglonormativity. But why have APIA voices been erased from the so-called “Great Books” for so long, and how should APIA writers respond to this longstanding erasure?
Read MoreMeet your APIA Ploughshares Blogger for 2017
I got the great news recently that I'll be blogging for Ploughshares for 2017, focusing on APIA literature, gender constructions, and video games as literature, among other things.
David Mura Writes Back
I wrote David Mura a few weeks ago, author of recent poetry collection Angels of the Burning + novel Famous Suicides of the Japanese Empire (Coffee House Press), among other books, telling him I really admired/loved Where the Body Meets Memory + that I was planning on using part of it in the critical component of my dissertation I've been working on at SC. Anyway, I'm included part of his response which he kindly sent me:
Dear Jackson
Thanks so much for your kind words about my work. It means a lot to me that someone like you is taking an interest in and writing about WTBMM. Your dissertation sounds like an interesting and exciting project (I have a friend who's also doing a dissertation combining scholarly and creative writing although her committee only allowed a chapter for the creative writing) . . .
Good luck with your work, and yes, if your novel is published, do hit me up for a blurb.
Good luck with your work.
--David
Dear Jackson
Thanks so much for your kind words about my work. It means a lot to me that someone like you is taking an interest in and writing about WTBMM. Your dissertation sounds like an interesting and exciting project (I have a friend who's also doing a dissertation combining scholarly and creative writing although her committee only allowed a chapter for the creative writing) . . .
Good luck with your work, and yes, if your novel is published, do hit me up for a blurb.
Good luck with your work.
--David
Chang-rae Lee Writes Back
Out of the blue I decided to write Chang-rae Lee + ask him for advice on literary agents. I was just curious to know if he knew any agents that were especially interested in Asian American cultural narratives. Anyway, shortly after I wrote him, he was gracious enough to write back. Here's his response:
Jackson,
Greetings. I don't really know many agents who have a special affinity for As-Am writing (mine would certainly say she doesn't, but rather just "good" writing, though of course there are many definitions of that!), but perhaps I could suggest T****** P***, who has her own agency and is highly respected.
In any case, good luck with the book, and the books. . .
best,
CRL
Jackson,
Greetings. I don't really know many agents who have a special affinity for As-Am writing (mine would certainly say she doesn't, but rather just "good" writing, though of course there are many definitions of that!), but perhaps I could suggest T****** P***, who has her own agency and is highly respected.
In any case, good luck with the book, and the books. . .
best,
CRL