I talked with my talented, generous, and smart friend and fellow fiction writer, classmate, colleague, and Midwesterner writer in exile, Bryan Hurt about a ton of shit: Counterfactual Love Stories & Other Experiments, grad school, living and studying in LA, workshop at USC, exploring the counterfactual reality of Los Angeles, nostalgia, mixed-race identity in the Midwest, writing from the outside, the role and mission of experimental writing, and the value of pyrotechnical syntax on the page, among other things, for the Los Angeles Review of Books. If you have a second, please read this interview, which will definitely be one of the most interesting ones you’ll read this month. I promise.
Two Interviews for Two Versions of the World
In the past couple weeks, I’ve done a bunch of interviews—all of which I loved, all of them for different reasons—and the ones I did with Gauraa at No Contact Magazine and with Peter at ZYZZYVA are very close to my heart. My interview in ZYZZYVA was a joy because Peter was a smart and insightful reader who noticed things I really wanted readers to notice, like for example, that “Sola’s Asterisk” is in the middle of the collection because that short story is essentially the heart of this collection in so many ways, both as microcosm and macrostructure. Beyond that, I love and respect ZYZZYVA so much, so having an interview in that journal about my debut short story collection is a huge fucking deal for me. And my interview in No Contact was a joy because Gauraa brought critical and cultural theory into a really smart conversation while focusing exactly where I wanted her to, the discussion of small presses, BIPOC identity and characterization, nonlinearity, and a sustained conversation about the interludes in this book. Beyond that, I loved the medium for our interview done completely with Instagram DMs. So, I got to enjoy both old school and new school interviews using different media while have some dope conversations in the process. Life is good!
Juked Interview for Counterfactual Love Stories & Other Experiments
I had a fantastic conversation with the talented and astute writer, Ashley Farmer, about my short story collection, Counterfactual Love Stories & Other Experiments over at Juked. If you have a moment, it’s an engaging read I think.
Counterfactual Love Stories & Other Experiments is the #2 Amazon Hot Release!
Yo, it’s not very often I can say this, but today I became an Asian poet! At least, that’s what Amazon thinks about Counterfactual Love Stories & Other Experiments, which is included as a new release in Asian Poetry. But even more shocking, CLS&OE is ranked #2! At least for now (7 October 2021 at 11:41 PST). How the fuck did this happen? And why is this book labeled poetry? I mean, there’s some bomb lyricism in this book. There are some dope turns of phrases too. But it would never have occurred to me to label this book as poetry. But you know what, I don’t fucking care. I’m gonna roll with it. Anything that might help me find new readers and draw attention to my books I’m gonna support, so thank you, Amazon, for giving just a tiny bit of attention to this book of mine! I really appreciate it.
My First Reading & Book Launch of Counterfactual Love Stories!
At long last, another part of my dream as an emerging fiction writer is coming true! My first reading from COUNTERFACTUAL LOVE STORIES & OTHER EXPERIMENTS, my debut collection of short stories, will take place in-person at the always awesome Skylight Books in LA!
Read MoreSo Now I'm a LA Writer
LB & I decided to move back to LA back in January of 2021 after she was offered an amazing job opportunity at CHLA, a decision that was difficult for me because of how much I’ve loved (working with) my BFA & MFA students & how much I valued my colleagues at BG, but also easy in other ways since we’ve lived in LA for over ten years, always coming back here over & over again. At some point, & I’m not quite sure where the timeline lands exactly, LA & not Chicago became our home even though we’re both from Chicago & even though we met each other in Chicago with a little help from MySpace. But that’s another story.
During the last pandemic wave in the winter of 2019/2020, I was completely stuck in Ann Arbor, constantly fighting depression, immobility, anxiety, fear, & hopelessness. Much of that was the pandemic, obviously, but much of that was also A2 too. After a while, LB & I ended up eating out at the same 3-4 restaurants, we did the exact same walk around the neighborhood 3-4 times a week, even my classes felt redundant, I found myself saying the same shit over & over again in response to workshopped manuscripts. I felt like I was stuck in a perpetual loop in Michigan & I wanted desperately to come back to LA, not only because this city was always the space before we tried to start a family, the space before the Covid-19 pandemic hit (because of when we left in June 2019), the place where I got my PhD before the job search, but also because this city shaped me. I became a doctor here. I became an agented writer here. I sold my first novel here. I revised my memoir here, which I sold in Michigan. I published a piece of flash nonfiction in the New York Times here. I got my half sleeve here. I got my first lectureship here. I visited my homeland from LA. I met my Japanese family while in LA. I fully developed my style here (half street style, half urban Asian preppy). LB became a supervisor here. We adopted Gogo! here. IOW, LA made me the person I am today & I kinda like that person. I relate to that person. I understand that person.
So coming back here felt like the most normal thing in the world & also the most surreal too since the time dilation I’d experienced back in the Midwest during the collapse of the world distorted my sense of how much time had passed & how slowly it was passing. Now, I’m a LA writer, I’m starting to schedule a remote tour with indie bookstores across the country, I’m working on ways to promote Counterfactual Love Stories, but I don’t fully know yet what that means. It’s something I can only understand after a couple years. Yes, I have three books coming out in the next 12 months, which I’m really grateful for (& have worked so hard for). But I don’t know yet where I’m headed, what the next step in my writing career is, whether I’ll end up writing screenplays, scoring a gig at Buzzfeed, working as an extra for Central Casting (because why the fuck not), doing freelance work as a copy editor, selling new post-rock & electronic music & tour merchandise from my Love, Amnesia, & Dream Tour, or something completely unrelated to writing & art.
TBH, I have no idea, but I have this (probably naive, definitely irrational) hope that everything is going to work out. It might be the beautiful weather that I just can’t take for granted after two winters locked in Michigan. It might be the superabundance of artists, writers, screenwriters, yoga fanatics, juice drinkers, Prius & Tesla drivers, actors, models, & influencers here. It might be the panoply of vegan restaurants, sushi joints, & cafés that serve perfect vanilla oat lattés here, but whatever it is, LA has become the place where I belong, where I thrive, where my partner can thrive, where it feels not only acceptable to not have kids or a typical nuclear family, but sometimes even necessary!
I’m happy we came back to LA. I’m happy to be here and see what my future holds for me now that I’ve centered LB for once & begun the next phase of my writing career as someone whose work is coming to a theater near you very soon.
The Love, Amnesia, & Dream Tour Poster (2021-2023) is Now Available!
Well, one of the things I longed for the most after I realized that I would have 3 books coming out in the span of nine months (which is every bit of a logistical nightmare as you can imagine, but also a beautiful problem to have if we’re being totally honest), was a poster for my book tour for the next two years. I wanted a tour or a “tour” or both in order to connect the three separate books (and genres) together. I also wanted a poster to graphically situate, connect, and unify my three books while also giving something to people like me who crave tangibility, especially tangible art and literary merchandise.
So, while this poster was conceptually created by me, it was completely designed, imagined, and realized by Aaron Draplin, who is an artistic genius. I’m so in love with this poster I’m about to frame it myself and hang it in my office. I might also consider raffling one or two free copies of this poster once Counterfactual Love Stories & Other Experiments is out in the world.
Short Story Published in Vol. 1 Brooklyn
My short story, “French Vowels that Make You Look Like Goldfish,” was published today at Vol.1 Brooklyn, which is part of my experimental short story collection, COUNTERFACTUAL LOVE STORIES & OTHER EXPERIMENTS,
Read MoreCounterfactual Love Stories Reviewed in BG Independent Media
My first review! I know authors get this all the time, but for me, this is still a raw, strange, and exciting science.
Read MoreIn Disbelief but Stoked AF
So, I won the 2020 Noemi Press Book Prize in Prose and short story collection, COUNTERFACTUAL LOVE STORIES & OTHER EXPERIMENTS will be published in 2021!
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